新竹振道/記者 萬世璉/新竹報導
從小學一年級就已經開始舉辦個展,溫佳寧從小到大一路在繪畫創作上不斷的學習,創作中她相當喜愛以人物為主題,在蕭如松藝術園區的個展中,溫佳寧以女性腿部作為畫展中的焦點。
不同一般常見的具象或是非具象的畫作,溫佳寧以變形身體探討性別的多重性,呈現出如人堡、人馬、分身以及手製作的移動雕塑。
作為年輕的藝術家,溫佳寧透過她的畫作來回應時下議題,藉由樸素、傳統的媒材跟方法,展現溫佳寧的個人創作。
新竹振道/記者 萬世璉/新竹報導
從小學一年級就已經開始舉辦個展,溫佳寧從小到大一路在繪畫創作上不斷的學習,創作中她相當喜愛以人物為主題,在蕭如松藝術園區的個展中,溫佳寧以女性腿部作為畫展中的焦點。
不同一般常見的具象或是非具象的畫作,溫佳寧以變形身體探討性別的多重性,呈現出如人堡、人馬、分身以及手製作的移動雕塑。
作為年輕的藝術家,溫佳寧透過她的畫作來回應時下議題,藉由樸素、傳統的媒材跟方法,展現溫佳寧的個人創作。
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